Yawn. Poorly Filmed Snooze Fest.

Lack of good storyline.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

"Escort West" takes place in Nevada, a few years after the Civil War has ended. Victor Mature plays Ben Lassiter, a widowed ex-Confederate soldier travelling West with his 10 year old daughter Abbey (Reba Waters). Deadly Indian warriors named the Modocs are on the prowl, and Ben realizes that they have caused death and destruction in a way station that he had very recently visited. He gathers together the survivors: the bitchy, grudge carrying Martha Drury (Faith Domergue) and her much nicer sister, Beth (Elaine Stewart), and amiable old sutler Nelson Walker (Rex Ingram). He promises to stay with them as they make their dangerous trek through hostile territory.There's nothing particularly distinguished about "Escort West", but it's still a solid and engaging movie of this type. An uncredited John Wayne was one of the producers. Director Francis D. Lyon creates some scenes of genuine suspense, and the action is likewise decently executed. This is all photographed in atmospheric, black & white widescreen by William H. Clothier. The antagonists are not exactly a faceless bunch, but they're a fairly scary group of men: relentless, unspeaking, unemotional, one-dimensional killers. The lovely music score is courtesy of composer Henry Vars.The cast is full of familiar faces and excellent right down the line. Mature is just the kind of hero you want in this sort of thing: kind, compassionate, but tough and dependable. Beautiful women Stewart and Domergue are effective, although some might find Domergues' character a bit tough to take. Noah Beery Jr., John Hubbard, Harry Carey Jr., Slim Pickens, William Ching, Ken Curtis, Claire Du Brey, and Syd Saylor co-star. Also in the supporting cast is the great screen heavy Leo Gordon, who co-wrote the screenplay with Fred Hartsook. Child actress Waters is appealing without becoming overly saccharine.This is a good, diverting story told in fairly trim fashion and running a very reasonable 77 minutes long.Seven out of 10.

This is a UA release, one of two that Victor Mature co-produced with John Wayne's Batjac company. It has a modest budget and plays like a TV movie or extended episode of TV's Wagon Train. But the ideas presented are grand in scope, and it's a shame there wasn't a larger budget to take advantage of all its cinematic possibilities. The film offers Mature as a no-holds barred widowed father trying to take his young daughter west to start a new life in Oregon. Along the way, they meet two sisters doing the same after one lost her fiancé in the Civil War. The backgrounds of the main characters are very well explained. Soon there is an attack by Modoc natives. We never get to see the natives as individuals; instead, we see them intermittently as a hostile element our little traveling group must occasionally fight off. After the initial attack, we are introduced to a black Union soldier, played by Rex Ingram. He's in no shape to travel, but Mature's character insists on taking him along. Of course, there is the eventual realization the old soldier is dead weight. The scene where Ingram threatens suicide to force the others to go on without him is a highpoint of the film.I liked the way the plot smartly progressed, and there was one action sequence after another, with just enough resting time in between, for us to continue getting to know the characters better. Naturally, it all culminates in a standoff involving more Union soldiers versus the Modoc. The soldiers are not all incorruptible (in a short sequence two try to steal the payroll). Adding to the complications is the fact that Mature, to protect his daughter and the one surviving sister, must join forces with the Union, though he himself had been a rebel Confederate.So there is a lot being said in ESCORT WEST, and while it is somewhat formulaic and predictable, we care about the people in the story and their relationships. As I said, this could have been expanded more cinematically if the budget had been greater. We could have seen flashbacks of what the leads experienced during and immediately after the war. We also could have seen some more of the attack involving the natives, which mostly happens off-camera. Plus I think a better denouement where they finally arrive in Oregon could have been filmed. But it's still a very effective thought-provoking independent western picture.

Escort West is directed by Francis D. Lyon and adapted to screenplay by Leo Gordon and Fred Hartsook from a story by Steven Hayes. It stars Victor Mature, Elaine Stewart, Faith Domergue, Reba Waters, Noah Beery Jr., Leo Gordon, Rex Ingram, John Hubbard, Harry Carey Jr. and Slim Pickens. Music is by Henry Vars and CinemaScope cinematography by William H. Clothier. Set in Nevada 1865 at the end of The Civil War, Escort West follows ex- Confederate soldier Ben Lassiter (Mature) as he travels West with his young daughter Abbey (Waters). Still meeting hostile reactions from Union cavalry officers and supporters in the area, things take a dramatic turn when Ben and Abbey happen upon the aftermath of a Modoc Indian attack that has left a troop of Union cavalrymen dead. However, there are three survivors, sisters Beth (Stewart) and Martha (Domergue), and injured Nelson Walker (Ingram). The Lassiter's try to escort the survivors to safety, but with the Modocs and rouge Union cavalrymen interested in a payroll in Ben's possession a constant threat out in the terrain, it's going to be tough. It's pretty predictable in formula, complete with an uninteresting burgeoning romance, but it's a film that's never dull and it's always compelling as a character driven travelogue. The left over attitudes born out by the war add some spice into the narrative, with Domergue portraying a bile strewn bitch from hell and Mature a contemplative father of substance, and there are a good number of action sequences that are thrillingly executed. Cast performances are strong enough for the material, where it's nice to see Mature and Waters' father and daughter relationship play out as tender and believable, and ace cinematographer Clothier's Scope photography is beautiful and keeps the picture consistently airy. 6.5/10

This is a low budget Western that is a little corny, but highly watchable. Here are its good points:Excellent Civil War theme.Victor Mature is pretty good in the leadVery nice supporting cast with Slim Pickens, Harry Carey Jr., Leo Gordon and Ken Curtis.Story moves along nicely and holds interest. Only a couple of plot holes/inconsistenciesfilmed on location, although only in greater L.A. area, not "Nevada".Here's what dragged it downLittle girl is horribly corny and almost ruins movieFemale lead characters are weak and the actresses are lousy.Whole plot is on the thin side i.e. not that much really happens in this.Indians are not characterized.