Slow pace in the most part of the movie.

Better Late Then Never

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

You could hardly accuse scribe/helmer Peter Capaldi of being subtle. The real Francis Albert Sinatra had widely documented alleged 'connections' with organised crime, specifically the Mafia and Capaldi's Tony Cocozza, a club singer whose repertoire is, as he tells his pianist, strictly Sinatra, makes initial contact with heavy hitting Glasgow gangsters within two reels. If you can get past that without yawning this isn't a bad time-passer and if Brian Cox is well OTT Alun Armstrong turns in a fine low-key cast-against type performance as Cocozza's pianist and closest thing to friend whilst Kelly MacDonald is 1) great to look at and 2) unbelievably and unrealistically nice-cum-naïve. The tune-stack is well up to snuff though Ian Hart is to Sinatra what Dick Van Dyke is to cockney.

Toni Cocozza (Ian Hart) is a small-time lounge singer in Glasgow, who performs all Sinatra songs. He's obsessed with Ol' Blue Eyes and dreams of Vegas and stardom. One night, an elderly mob boss and his wife see the show and become Toni's biggest fans. He slowly enters their world and before he knows it, he's become one of the man's henchmen.This is a cute drama with an appealing leading man. Ian Hart is sweet and vulnerable playing a dreamer with limited talent. I was rooting for him all the way. He gets into some nail-biting situations with the gang, led by Brian Cox and Tommy Flannagan who are both quite menacing. Kelly Macdonald is adorable as a cigarette girl who falls for Toni.The movie is exciting and really held my interest. The Glasgow slang and accents may require the use of subtitles, but they are charming. Recommended.

Don't miss this film. I came across it by accident and I was hooked after 2 minutes. I love this movie. Brian Cox is, as always, perfect. What a range he's got! Ian Hart as Toni is so believable you don't even think he's acting. Alun Armstrong plays the perfect heart of gold cum voice of conscience. Tommy Flannagan manages to be vicious and evil but somehow sexy at the same time. Must be that "bad boy" thing. I was fascinated by the Scotland portrayed here. I think of Scotland as lovely hairy men in kilts. Truth to tell, there was not one kilt to be seen here. This is the real urban Scotland (Edinburgh?) and nothing like what I pictured. The script is flawless. The ending...I won't spoil it for you. Oh, and Kelly MacDonald performs beautifully and believably. You won't be disappointed with this one. I gave it a 10!

As a lifetime Sinatra fanatic, I was drawn to this movie with interest and little knowledge of the plot. I thought the film was a fairly well told story of a "star struck" wannabe with a gentle heart, who decides he willing to do anything to realize his aspirations, and follow in Ol Blue Eyes footsteps. The musical score is excellent and lends to the period of work that Cocozza's idol gave to the world. Ian Hart does his best to detail what a 28 yr old "loser" feels like, and the depths he will sink to "make it".The one drawback was the often difficulty in understanding the Scottish dialect that too often impairs the ability to discern key dialogue exchanges. All in all, I'd recommend it..especially to the millions of Sinatra fans still around who continue to perceive his talent/persona in a "god-like" fashion.