Good concept, poorly executed.

Disappointment for a huge fan!

The film's masterful storytelling did its job. The message was clear. No need to overdo.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Quit an intriguing film this is. The story is somewhat reminiscent to the Shining but is quit simple an rather straight forward. A France father, divorced an living in Sweden, has his two little sons for a holiday visit and is taking them to a hiking trip in a beautiful but claustrophobic forest. But the youngest boy has a kind of ability (like his father) to see some kind of shapes form the future and he is afraid to go on the hiking trip. This 'gift' of the young boy gives this film immediately a sense of dread and once the walk in the forest begins, the tension is mounting and the film really gets a grip on you. Which is only accentuating by the sublime decorum of the beautiful but also menacing forest. I liked this film very much, more for the somewhat creepy atmosphere then for the story itself, that could have been a little stronger.

Not all things get resolved easily. Some movies have natural ways of telling their story, others really challenge the viewer. This one is more in the category of the latter. It has really good potential overall and the acting is also very good. The relationships are there and while not everything may seem "normal", the movie itself could be described that way too.Having said that, all the mysteries surrounding the past get unraveled as time passes. So we do have some jumps in the time line, but it works smoothly with the rest of the story and the build up also works in favor of the suspense it creates. Not perfect, but very good in the mood department and in the overall sense and suspense.

The least we can say about Gilles Marchand is that he likes to mull over his projects: seven years passed between his "Who killed Bambi?" (2003) and the well-polished "Black Heaven" (2010) and six years later, he makes his come-back with this fantasy-thriller. In this new movie, Gilles Marchand travels to Sweden where the immensity of the nearly surreal scenery contrasts with the darkness that does not stop to infect this idyllic environment. The shots, that go from close-ups to extreme wide shots, help to feed this unease that we cannot grasp and that finally takes over. "Into the forest" took a commitment to suggest, raise doubts and leave leeway to some (maybe too much) interpretation and that is its strength, but also its huge weakness: even if we understand that some elements feed the fantasy, sometimes we feel that the plot has been built into a void that the spectators have to fill themselves. Technically speaking, the movie is quite original and the actors' awesome performance saves the boat from sinking.