Lis Rhodes’ latest essay film Disquiet, made against the backdrop of the pandemic, continues her ongoing project of documenting and drawing attention to the progressive eradication of justice, equality and individual liberties as a consequence of neoliberal capitalism. Using still images, sound, text and her distinctive voice-over, Rhodes calls out the evils of globalisation whilst taking a truly global approach in her incisive analysis. From the atomic destruction of Hiroshima to the conquest of the skies, Disquiet draws connections between the local, the transnational, and even the extra-terrestrial, in order to untangle the relationship between violence and profit. As Rhodes poignantly asks: ‘can warnings warn, when violence is a profitable industry?’
Reviews
Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
Amazing worth wacthing. So good. Biased but well made with many good points.
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
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