A criminal shows up at a farmhouse with the law on his heels and several million dollars in his possession.
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I like the storyline of this show,it attract me so much
The greatest movie ever!
Instant Favorite.
The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.
Dear Lee Marvin,it was almost as if you walked out of Prime Cut and walked into Dog Day. The first scene where you are running across the corn fields - it was a sorry sight because you could hardly run. Just like in Prime Cut. A violent American gangster (Marvin) on the run from the French police hides out at a farm in the French country side. The farm is occupied by a family that would make The Devil's rejects seem like pious Christians. A whisky guzzling whore house visiting kid, a nympho-maniacal woman, alcoholic and perverted man of the family, his murderous wife and Swedish lesbian hitchhikers are what the aging Marvin has to deal with. There are many nude scenes and gratuitous violence. The location with sprawling fields of corn and the helicopter shots of action scenes are great. The film is really out there. I love films like these that really push the envelope in terms of strange relationships and weird characters. This film deserves a blu-ray.Best Regards, Pimpin.(8/10)
"Canicule" leaves so many questions unanswered. Was the relationship between Lee Marvin's character and the retarded farm boy supposed to be touching, comical or teeth-grindingly stupid? Was the reason Tina Louise disappeared entirely from the film because the editor was a drunken ham-fisted film school reject? What is Tina Louise's character even doing in this film? Did the director just fly around in a helicopter shouting "Wheeeeee!" the entire shoot while the rest of the crew sat around snorting coke and going 'Zut Alors! Zis New Wave film making - it is fantastique!' or something? So many questions...Okay, long story short. Lee Marvin, dressed as a 1930's gangster, robs an armored car and shoots a bunch of cops and a pre-schooler, then lams it to the French countryside where he's captured by a repulsive bunch of inbred French rednecks. Sound interesting? It isn't. The cops overfly the farm about a ga-zillion times looking for Lee, each shot lovingly filmed from another helicopter (the one where the director was yelling "Wheeeeee!") (or "Le Wheeeeee!" since he's French) but can't find him because he's always in the barn setting fires or strangling nymphomaniacs or whatever.But here's the depressing part. Ready? Despite being a film built solely around the image of Lee Marvin standing around in a wheat field, "Canicule" would be considered a cinematic masterpiece today if it were made by Quentin Tarantino and starred Bruce Willis and Angelina Jolie. It wants to be parody but rarely rises to the level of stick-figure cartoon, in other words the perfect film for a society of porn obsessed violence addicts like the US."Wheeeee!"
Canicule or Dog day is completely bonkers. It is a cartoon really, but a pretty violent and ludicrous one. Lee Marvin in one of his final roles is not given enough screen time, only at the climax of the film is he terrific, really giving his all as the dying gangster (he was probably ill himself then). In the rest of the film he looks on in disbelief and looks like he would rather be elsewhere. There is a lot of 'business' going on inside the farm which is not worth going into and much of the film would be seen a French Farce or as being like 'Carry on' or 'Benny Hill'- if it was not so violent or just plain nasty in its depiction and abuse of its characters.The film is violent towards women and negative about humans and sexuality in general. The film collapses into the absurd as the body count mounts up as the crazy inhabitants of the farm, police and nearby innocents are all brutally wiped out and the best remaining parts are between the small boy in his surreal 'boat' shaped den and the great Marvin. Ne actor has looked this dislocated from a film since Terence Stamp in 'Theorem'. Lee Marvin was a great actor, but this film is not worthy of him and is only worth a look if you want to see Marvin in this piece of weird French surrealism.
This is essentially a trash film that luckily does not take itself too seriously. It is well aware of its nature as entertainment and uses themes familiar from such films as "Deliverance" and "The Hills Have Eyes" in a sort of parodic context.It features a family living in rural France where the father is a brutal and violent pervert, his brother is same but worse, the son (about 10) is following on the same track and the father's sister is a nympho. Key in lots of tasteless moments (the clubbering to death of two Swedish (topless) campers, the suicide of the grandmother when they threaten to take her to old folks' home, the spending spree of the 10 year old kid in a cathouse and so on)and what you have is a fairly entertaining exploitation picture with a European touch.You know whether you'll like it or not! Definitely not for the fans of Lee Marvin...