It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

While it doesn't offer any answers, it both thrills and makes you think.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The Notorious Lone Wolf (1946) * 1/2 (out of 4) The war is over so Michael Lanyard (Gerald Mohr) returns home where he plans on spending time with his woman (Janis Carter) but he ends up accused of stealing a priceless jewel so he must try to clear his name and catch the real villain. THE NOTORIOUS LONE WOLF was the first film in the series after Warren William left. You'd think that that would be the real negative aspect but it's actually not. While Mohr doesn't come close to the same type of performance as William, I at least give him credit for not trying to copycat the performance and instead he takes the character into a new direction. Mohr's Lone Wolf is a lot more in-your-face, a lot more upbeat and he just comes across as the polar opposite of William's. That's certainly a good thing because you at least know you're watching a new type of character and I think this approach worked. What doesn't work is the lackluster story and boring direction. The story itself is just one cliché after another including some incredibly bad comic moments. It seems like the screenwriter was going to have the girlfriend be just as important as Lanyard but thankfully it never reached that level. What it did leave us with was some really embarrassing comic moments including a long running one early on when Lanyard and the girl simply want to kiss but they keep getting distracted. Outside of Mohr the performances aren't all that memorable either. Carter is OK as the love interest but in the end forgettable. Eric Blore is back with the comic stuff and John Abbott is also here but doesn't do too much. THE NOTORIOUS LONE WOLF just doesn't have enough going for it to make it entertaining.

The Lone Wolf, Michael Lanyard, is back from the war and has turned into Gerald Mohr in "The Notorious Lone Wolf," released in 1946.Poor Lanyard - he's back for hours and he's suspected of stealing a rare sapphire from a museum, and then he's accused of murder. And all he really wants to do is make up for lost time with his girlfriend, played by Janis Carter. Lanyard spends the rest of the film trying to clear his name. One way he does it is to detain the Indians who have come for the gem and impersonate one of them, with Jameson (Eric Blore) his butler impersonating the other.All in all, very pleasant. Mohr is attractive but here's my problem with him. He's not the same type as William, obviously - he's less sophisticated, there's more emphasis on the romance, and he seems younger. That would have all been great if Mohr had just played that. Instead, to me, he's trying to be smooth and sophisticated and it's coming off as artifice. He needed to play to his own strong qualities.Entertaining.

The Notorious Lone Wolf has returned from the war. Indeed cinematically the last couple of Warren William Lone Wolf features had to do with wartime plots. Now Michael Lanyard has returned and he's now being played by Gerald Mohr. In fact he's looking for a nice romantic evening with Janis Carter. But trusty valet Jameson first brings in Inspector William Davidson of the NYPD who always suspects The Lone Wolf when a big caper happens and the Shalimar diamond has been stolen from a visiting Indian potentate. In real life these guys would shortly be giving up their thrones so maybe the maharajah was in the USA looking for new digs.The Carter's sister Adelle Roberts shows up asking Mohr for some help with her love life as Mark Roberts has been spending time with an exotic dancer. Wouldn't you know it, the stolen jewel and the dancer are connected and when the dancer gets shot very dead, the police as always suspect The Lone Wolf. So Mohr as per the usual Lone Wolf plots has to recover the diamond to prove his innocence.Mohr is a rougher Lanyard as opposed to the dapper Warren William. Eric Blore is back as Jameson and a couple of times these two almost devolve into an Abbott&Costello routine. The slapstick was a bit out of place, you wouldn't have seen Warren William doing that.Still The Notorious Lone Wolf is not a bad film, just a different loner.

This was Gerald Mohr's first crack at Michael Lanyard the Lone Wolf, 2 sequels followed. His valet Jamison meets him ecstatically at the airport where he's returning to New York after 4 years away fighting the War, and with lots of "You haven't changed a bit" the film launches into 20 minutes of comedy. He brought his own style to the role played previously by William, a more youthful and ... amorous attitude coupled with his fine radio voice and very white teeth that worked fine by me.Back for a few hours Lanyard is suspected of stealing a rather valuable sapphire from a museum, then on the run for murder - don't touch that gun, Doh! The plot was thickened with the original royal Indian owners also after the gem, only legally, and a continually thwarted love interest - after all he and his girlfriend had been waiting 4 years. The usual entertaining chase ensued, Lanyard/Jamison (trying to clear themselves) for Blackie/Runt and Crane for Farraday - Inspector Crane even used Farraday's police office in here. Rigging Jamison up with a walkie-talkie when he was disguised as one of the Indians was very contrived but worth watching for Blore's facial convulsions alone.Well made albeit slightly farcical at times and competently acted - but ultimately throwaway of course - I've always enjoyed this one, it's certainly on a par with with all of the previous entries in the series.