In this next-to-last phase of the Pink Panther's amazing run of new theatrical short-subjects, newsworthy mid-to-late 1970s trends and fads such as Rock'em-Sock'em robots (PINK ARCADE), compulsive dieting (DIETETIC PINK), and the merchandizing of "pet rocks" (Art Leonardi's ROCKY PINK) come into focus. Fairy-tale spoofs (PINK PIPER, CAT AND THE BEANSTALK) make a modest comeback, but much more impressive are brand-new wrinkles on familiar Panther themes like sleep deprivation (Art Davis's PINK TRUMPET), wars against a pesky fly (turning positively apocalyptic in Sid Marcus's PINK S.W.A.T.) and journeys through surreality (SHERLOCK PINK, Robert McKimson's last and probably best "Panther" pic).
Reviews
Lack of good storyline.
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
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