You won't be disappointed!

Powerful

Bad Acting and worse Bad Screenplay

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

Thiruda Thiruda released in 1993 exactly 19 years ago . And i watched this epic achievement of Mani Ratnam today only. I don't know why i didn't watch this fantastic film all these years. Easily one of the best entertainers of Indian Cinema, this film deserved great acclaim and commercial success at the time of its release. Absolutely well crafted film. Thiruda Thiruda can boast of one of the best soundtrack of A R Rahman. Needless to say excellent cinematography by P C Sreeram. Those who haven't watched this fabulous Mani Ratnam film must realize that its high time to watch it. Hugely satisfying experience.Thanks to Flipkart for providing me the original copy of this beautiful film.

This movie was released long back. However, I viewed it again recently on DVD. Thiruda Thiruda has almost all the ingredients of a commercial Tamil movie - well-done dance sequences, catchy music, memorable songs, comedy, fights, chases, glamorous heroines, mindless villains, gun-toting henchmen who get beaten black and blue by bare-handed heroes and the rest. In fact, the movie has an interesting combination of various elements seen in different Tamil movies - affectionate brothers, village panchayats, policemen who turn into part-time comedians, triangle love, Robin Hood-like heroes who steal from the rich and give to the poor, rustic village belle and glamorous city gal; even the usual thaai maaman atha maga problems (Tamil movie-goers will understand that); and name a chase sequence, and you have it - on a motor bike, on a cycle, on a truck, on a car, on trains, and even on horses! Plus, the movie itself is littered with numerous actors, almost a quarter of the Tamil tinsel town should have figured in it.It's to the director's credit that he has woven all these elements and more to give a clear and interesting screenplay with well-etched characters. Where he fails is the credibility department. Of course, one can't expect realism in commercial movies. But numerous sequences do test your patience. And then you realise why this movie with amazing songs, a different story and brilliant cinematography still failed to make it big at the box-office.The story, by the way, is pretty simple - the villain's plan to pinch a 1000 crores of newly printed notes from the Indian government goes awry; the villain and the CBI begin their chase to track down the container; and two village thieves, their ladylove and the villain's mole get drawn into the scheme of things. The movie is worth a watch, especially the songs tuned by AR Rahman - Kannum kannum, Putham puthu bhoomi and Konjam nilavu in particular. The guy who plays Kadir (Anand) looks nice and does a neat job. Pity he hasn't been seen in many Tamil movies.

Mani Ratnam's adroit transposition of the Butch and Sundance story into a quirky rural setting with a distinctively Indian sensibility is ceaselessly entertaining, if eventually a little too long. You can find in it the major elements of Indian commercial cinema -- set-piece action scenes and dance numbers--but the film distinguishes itself with stylish camera work, superb music and, above all, a deliciously maverick, fantastical tone embellished with sparkling humor, very reminiscent of Terry Gilliam (Monty Python, Time Bandits, Adventures of Baron Munchhausen) in his prime.The film borrows liberally from "Butch Cassidy and the Sundance Kid", both in letter and spirit. The more-or-less irrelevant plot involves two small-time thieves who inadvertently end up in control of the vast loot resulting from a major heist. Hot on their heels are the original mastermind of the heist, and a frantic police force led by an overweight, deceptively slow detective (S.P. Balasubramanian in the role of his life). Predictable complications ensue, but the pleasure is in the perceptive, droll sense of humor and the Indiana Jones-esque sense of adventure with which the story is told.

Shockingly enough, this film brings together Mani Rathnam, Ram Gopal Varma, and A.R.Rehman. The music is decent, but the technical work is shoddy, the script is terrible, and the performances fairly ordinary. Not suprisingly, Ratnam and Varma never worked together again.