The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.
Reviews
the audience applauded
Better Late Then Never
One of the best movies of the year! Incredible from the beginning to the end.
One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.