In the film, Klopfenstein portrays a metaphorical renovation of the burned-down church of his past in and with cinema. As tools, he merely has his computer and files of his own films, as well as masses of faces long gone and places razed from memory. One drifts deliciously with Klopfenstein through a super-edit of his own oeuvre, removed from established modes of this type of filmmaking and instead functioning in an intimate and poignant expression, where fleeting gestures can unleash avalanches of unexpected memories.
Reviews
Very very predictable, including the post credit scene !!!
People are voting emotionally.
Lack of good storyline.
Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
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