Trailer
Synopsis
Cast
Scott discovers shapes exist.
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The Power of Glove
“The Power of Glove” is a documentary that chronicles the history & legacy of the notoriously “bad” Power Glove, a 1989 Nintendo controller that promised to forever change the way humans interact with technology. Originally released by Mattel, the Power Glove was the first mass-marketed gesture-based video game controller. It was designed by an eclectic team of hard-working and bright-eyed dreamers, and its marketing hype was immense. Immediately after its release, however, gamers were disappointed by the Power Glove, and critics panned it as a worthless gimmick. Yet unlike many gimmicks and critical failures of the past, the Power Glove has not been simply swept under the rug. Nearly three decades after its release, the Power Glove continues to resonate with video gaming and technology fans, becoming the focus of art pieces, songs, videos, hacking projects, and other forms of cultural repurposing. “The Power of Glove” tells the story of how and why the Power Glove lives on.
Mario & Zelda Big Band Live DVD
The "Mario & Zelda Big Band Live" concert was held on September 14th, 2003, at the Nihon Seinenkan Hall in Tokyo, Japan. The DVD recording of this event was bundled with the Japanese gaming magazine "Nintendo Dream" vol. 101. Mario & Zelda Big Band Live was, as the name suggests, live performances of Mario and Zelda music arranged into jazz, Latin, country, and bluegrass. The host, Ashura Benimaru Itoh, started off the concert with an awesome guitar arrangement of the Super Mario Bros. "main theme" and "underworld theme." The performances that followed were divided almost evenly between the Tokyo CubaBoys Jr. (The Big Band of Rogues) and Mr. Yoshihiro Arita (with his band)
Minus World
Nintendo game, codeine and online bdsm all blend in this minimalistic speculation circling and edging towards a new view of otherness within.
Reviews
Good films always raise compelling questions, whether the format is fiction or documentary fact.
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Amazing worth wacthing. So good. Biased but well made with many good points.
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There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
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Blistering performances.
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