For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, including clowns, jugglers, acrobats, contortionists, and more, Parade also focuses on the spectators, making this stripped-down work a testament to the communion between audience and entertainment.
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Reviews
Don't listen to the negative reviews
The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
This movie feels like it was made purely to piss off people who want good shows
A clunky actioner with a handful of cool moments.
"Parade" was the final film directed by Jacques Tati. It was made for television and featured Tati as a clown in a circus. The film was screened at the 1974 Cannes Film Festival, but was not entered into the main competition.As much as it pains me to say something bad about Jacques Tati, this is far from his best work. In fact, it more or less amounts to a televised special about a circus filled with mimes and acrobats. Should it be judged on the same level as the other films he made? No. Because, clearly, it was not intended for the same level of criticism. We do not judge Michael Bay for his milk commercials.Still a bit fun, even if the costumes are so obviously dated as the 1970s.
Jacques Tati's swansong is an affectionate return to roots, recreating some of the vaudeville routines of his past on stage at a Swedish circus, in a short program originally made for Scandinavian TV. Tati himself, serving as ringmaster for the troupe of acrobats and clowns, puts his aging but still limber body on display during a transitional set of solo pantomime turns. The show is frequently hilarious (some of the audience interaction with the performers is clearly not unscripted), but as a farewell effort of a comic genius responsible for some of the biggest laughs since the glory days of silent film comedy it can certainly come as an anti-climax. And because the stage show was 'filmed' using a crude early video process, it almost resembles a bootleg live rehearsal for the next, never made Tati feature.
This is a collection of circus acts with a fair bit of Tati's miming thrown in for good measure.It's not a BAD film. Some memorable sequences include Tati miming a tennis game (in slow motion!) and traffic cops around the world. I don't think the M. Hulot character let Tati really stretch out and MIME. He is very very good.The other performers and comedians, while not as famous as Tati, are still pretty good.The main problem is that the premise is so basic. You can't really GO very far with this and Tati doesn't. It's basically just like watching a circus on TV. There's nothing to really glue the whole picture together. I agree with the reviewer that found the audiences 70's clothing interesting in itself.
Tati was really going for something here, but I'm not quite sure what. He's being so subtle here that I couldn't really tell what his point was.The film is all about a circus, with performances by clowns, magicians, acrobats, jugglers, a band, and Jacques Tati. The different scenes vary in worth - the jugglers are awesome, but there's one sequence, where people try to jump on a pony and a donkey, that's very cruel to animals (although it ends wonderfully). One of the bigger disappointments of the film are Jacques Tati's mimes. Not that they're bad, but Tati fans have already seen them all. He impersonates a football player, a boxer, a tennis player, a fisherman, and an equestrian. This is how he first got famous in the 30s and 40s, by impersonating sportsmen, but at 70 something, his miming isn't as great anymore. And we've seen them all the way back to Watch Your Left and up to The Night Course.The action isn't just of the circus performers. Tati also goes behind the scenes of the circus and especially to the audience. A lot of the film, in fact, observes the audience. We get to know several of them as characters.The ending is quite great. It has the same bittersweet tone that all of Tati's endings have. I actually teared up a little, but that was mostly because I knew that this was the last time "Une film de Jacques Tati" would ever appear on screen. I didn't love Parade, but I certainly liked it. 7/10.