Slow pace in the most part of the movie.

Better Late Then Never

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

The chirpy, Euro-Barbara Windsor squeaking soundtrack that introduces this film would perhaps fool you into think you're about to watch some "Whoopsy-Boing!" sex comedy, but you'd be wrong. Except for the sex bit.A horrible rich lady who has an open marriage with her Roman noble husband (Silvano Tranquili) is found dead within a locked room, her throat cut. Everyone thinks it was suicide...well, the police think it was suicide, but no one else does, especially housekeeper Magda, who now tends to the needs of Silvano and his mistress, photographer and professional moody looking smoker Rosalba Neri. A spanner is thrown into the works when the rich lady's daughter from a previous marriage turns up after quitting boarding school (or something like that). Her wide eyed innocence certainly catches the eyes of Rosalba, who quickly bonds with the girl by taking loads of pictures of her and conveying the idea that she may bat for both sides, as it were. Silvano's eyebrows are certainly raised when comes home to find his step-daughter bare-arsed in front of a mirror, but if this newcomer has a legit stake in the money left by the rich jerk lady, what are out scheming twosome going to do about it?This is more of your old-school giallo set in a big house with rich people being duplicitous and trying to out-do each other, with the usual plot twists thrown in for good measure, and a whole heap of photographer sessions between the young girl and a drooling Rosalba Neri. Obviously the girl gets it on with both the lead actors but you don't get a slow motion lesbian sex scene like you did with Silvio Amadio's previous Amuck. That said, those looking for nudity won't be let down as the stepdaughter seemingly spends half the film naked.I've got to admit that I found the soundtrack really irritating. "A-chi-chi-chi-di-di-dididida-chi...aaaaaaaah!" indeed.

The classy 'Smile Before Death' is an extremely rare and unjustly obscure giallo from cult Italian film-maker, Silvio Amadio. This violent, sexy thriller stars the delightful, Rosalba Neri and Hiram Keller as a villainous duo plotting to do in the stepdaughter of Hiram's character. Director, Silvio Amadio's stylish and sexy follow-up to "Amuck!", is full of giddy plot twists, lurid stalk an' slash, and the ubiquitous "shock" ending; 'Smile before Death' is guaranteed to amuse and confound in equal measure, and is a worthy entry to this most histrionic idiom. Its current rarity is wholly undeserved and one hopes that eventually it will get a pristine DVD release that it so deserves.

Teenaged Nancy Thompson arrives unexpectedly at her mothers county villa.She discovers that her mom has died a violent death.The police investigate and believe the she killed herself by cutting her throat with a piece of broken of glass.Nancy meets and becomes friends with Gina who was her mothers best friend and who has a special relationship with her stepfather.Soon the older man turns his roving eye toward this young beauty as suspicion about the suicide starts to come to light.Pretty sleazy and entertaining Italian giallo with plenty of nudity and some nasty surprises.I haven't seen Silvio Amadio's "Amuck" yet,but I'd like to.The performances of Jenny Tamburi and sexy Rosalba Neri are fantastic and I must say that they are perhaps the main reasons to see this surprisingly obscure giallo.8 out of 10.

From the director of the better known "Alla Ricerca del Piacere" (aka "Amuck!") comes this stylish thriller that involves not only a confusing web of love affairs and relationships, but also - towards the climax - a bundle of twists that are guaranteed to surprise every viewer without becoming implausible at any moment.And this is the big plus of this movie: The twists all work. The first half moves on relatively slow (similar to Silvio Amadio's above mentioned earlier Giallo), but the viewer already gets enough information to know that the plot isn't as simple as it seems. In the second half the film becomes a roller coaster ride of red herrings, plot twists and other surprises, which makes it decisively superior to Amadio's earlier effort.The acting is also thoroughly convincing, which is especially important once the film is finished and the viewer gets the whole story. But the most remarkable thing in this intriguing Giallo is the lush, ear-catching main theme that will never let one go after being heard for the first time.