Don Juan or If Don Juan Were a Woman
March. 01,1976 RJeanne lives in Paris and believes she is the reincarnation of Don Juan. She visits a priest and tells him she has killed a man. He comes to her elegant flat - her father has died leaving her rich - and she tells the priest stories about men she has seduced. The seduction is easy, she tells him, it's destruction that takes planning. We watch her with an upright elected official, a wealthy boor, and a folk singer. She describes herself as a spider. Her friend Léporella tries to be Jeanne's conscience. What does Jeanne want?
Similar titles
You May Also Like
Reviews
Best movie of this year hands down!
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Easily the biggest piece of Right wing non sense propaganda I ever saw.
This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Some reviewers seem not to notice the golden irony that BB, who was ready to quit acting without needing a swansong, chose a vehicle, the value of which she could not fail to comprehend, in which men commit suicide after making love to BB. She is natural and resigned to the penultimate finale of her career. Maurice Ronet acquits himself perfectly as the torn antihero. He is the perfect foil to her underplayed and subtle excesses. This film didn't need any association with Don Juan to work more than adequately on several levels. Not only does it excel in irony but also in theatrical sarcasm with the 'God created woman' embroiled in a hellish inferno in a finale of post-modern design, her nemesis entombed in what might be an analogy for shifting sands. I feel that, in life, she was always lost, this belief reinforced when we exchanged pleasantries in Cannes in 1969.
I saw this movie not long ago after many years of looking for it , this is the last time ever Brigitte Bardot and Roger Vadim will work together and this is the last time Bardot will be the star of a major movie her last movie was a small part in Colinot the following year meaning 1974 ,any movie with Bardot is worth watching she is always charming and perfect and so beautiful in this movie she is Don Juan or some type of Don Juan she is great I love the movie from beginning to end not long ago Jane Birkin she is in the movie too, she said to vanity fair the American version that the day she meet Bardot she was breathless as how beautiful she was she said Brigitte was flawless, BARDOT IS UNIQUE HER BEAUTY IS ALWAYS THE MAIN ATRACTION IN A MOVIE but she can be good too and very charming, she have the it, sadly she retired after 1974 and never comeback, today she is 78 years old and doing good for animals, she is the last super star alive
Brigitte Bardot stars here in her last film along with Jane Birkin, the other singer who recorded the Serge Gainesbourg hit, "Je t'aime". This film is worth seeing, as we see BB's and Vadim's evolution from "And God Created Woman" to this post-sixties over-the-top comedy-drama.We get some great nude scenes with Brigitte and Jane, and BB's character Jeanne is someone fed up with men, so she resorts to seduce and destroy tactics. As in "And God Created Woman" she's pretty much playing herself, but with an exaggerated storyline of driving men to ruin, murder, and suicide. The campy ironic humor is there in such scenarios as seducing a priest as well as setting up a fake menage-a-trois to madden a bete homme. Also a scene with Robert Walker Jr. (Charlie X in Star Trek TOS) where the price she asks for making love is no less than his life, which he takes seriously. The ending is a multiple meaning one as BB saves a man who makes her "pay for her sins" (though he's unappreciative). I think the end hits home for Brigitte in real life saying in effect, "look you male-dominated world, you've made my life hell". And it's the last scene she ever did on film. Worth seeing for it's erotic quality (but what BB film isn't), the submarine home, the early '70s fashions, and the camp.
Much less exploitative than you would expect, DON JUAN is a generally sympathetic account of how a female Don Juan, a kind of author-figure, wreaks havoc on weak-willed masculinity, before burning in a man-made hell herself. The misogyny of this outcome is tempered if we see the film less about Don Juan (the sex/death routine is not altogether digested), than BB retiring from a generally unyielding film-career, and the private, male-driven hell that was its result, giving the film an appealing relish of revenge. Of course, it is, if I may say so under IMDb guidelines, atrociously made, and becomes tiresome after about five minutes.