I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Those afraid to die are really afraid to live. Hapless and desperate small town characters are frozen between life and death. They swing wildly between loving or fearing too much. They love, but are not loved back. They are unable or unwilling to break out of their funks. A paranoid security guard is in love with the past, obsessed with order and fearful of gypsies, inmates and foreigners invading his space. A desperate house-wife craves affection and an escape from demands as caretaker and nurse to a family of indifferent males. Her hapless husband rants about illnesses and afflictions that are more in his head than reality. A sex-worker looks to drugs and an absent man in prison as her saviors. The bouncer at her workplace desires her, but mostly because he loves a good fight. She deflects him at every turn. Of course kids are caught in the melee of insecurities and have various ways of coping with the "adults."Mirroring the dichotomies of its characters, the film shifts back and forth from black and white to color. No judgments are made of the choices that the characters make in loving and losing control. Their plights are saddening, laughable and sobering all at once. There is room for compassion as well as condemnation of their actions. As always, it is wonderful to look at the world through the eyes of others and to see – however fleetingly - the differences and similarities of life in the Czech Republic. Improvements that might be made include depth to the dialogue (perhaps lost in translation), expanded action and acting, and a greater budget. Seen at the 2016 Toronto International Film Festival.